I cannot tell; but this I am assur'd, Agree to any covenants: and procure [Exit. Glo. Ay, grief, I fear me, both at first and last. [Exeunt Gloster and Exeter. Suff. Thus Suffolk hath prevail'd: and thus he goes, As did the youthful Paris once to Greece; Of this play there is no copy earlier than that of the folio in 1623, though the two succeeding parts are extant in two editions in quarto. That the second and third parts were published without the first, may be admitted as no weak proof that the copies were surreptitiously obtained, and that the (1) Judge. printers of that time gave the public those plays, not such as the author designed, but such as they could get them. That this play was written before the two others is indubitably collected from the series of events; that it was written and played before Henry the Fifth is apparent; because, in the epilogue there is mention made of this play, and not of the other parts: Henry the Sixth in swaddling bands crown'd king, bleed: • Which oft our stage hath shown.'' France is lost in this play. The two following contain, as the old title imports, the contention of the houses of York and Lancaster. The second and third parts of Henry VI. were printed in 1600. When Henry V. was written, we know not, but it was printed likewise in 1600, and therefore before the publication of the first and second parts. The first part of Henry VI. had been often shown on the stage, and would certainly have appeared in its place, had the author been the publisher. JOHNSON. KING HENRY VI. PART II. ***The Contention of the two famous houses of York and Lancaster,' in two parts, was published in quarto, in 1600; and the first part was entered on the Stationers' books, (as Mr. Steevens has observed,) March 12, 1593-4. On these two plays, which I believe to have been written by some preceding author, before the year 1590, Shakspeare formed, as I conceive, this and the following drama; altering, retrenching, or amplifying, as he thought proper. At present it is only necessary to apprize the reader of the method observed in the printing of these plays. All the lines printed in the usual manner are found in the original quarto plays (or at least with such minute variations as are not worth noticing:) and those, I conceive, Shakspeare adopted as he found them. The lines to which inverted commas are prefixed, were, if my hypothesis be well founded, retouched, and greatly improved by him; and those with asterisks were his own original production; the embroidery with which he ornamented the coarse stuff that had been awkwardly made up for the stage by some of his contemporaries. The speeches which he new-modelled, he improved, sometimes by amplification, and sometimes by retrenchment. MALONE. Earl of Warwick, of the York faction. Lord Scales, Governor of the Tower. Lord Say. A Sea-captain, Master, and Master's Mate, and Two Gentlemen, prisoners with Suffolk. Hume and Southwell, two priests. Bolingbroke, a conjurer. A Spirit raised by him. George, John, Dick, Smith, the Weaver, Michael, &c. his followers. Alexander Iden, a Kentish gentleman. Margaret, queen to king Henry. Margery Jourdain, a witch. Wife to Simpcox. Scene, dispersedly in various parts of England. SECOND PART OF KING HENRY VI. ACT I. SCENE I.-London. A room of state in the palace. Flourish of Trumpets: then Hautboys. Enter, on one side, King Henry, Duke of Gloster, Salisbury, Warwick, and Cardinal Beaufort; on the other, Queen Margaret, led in by Suffolk; York, Somerset, Buckingham, and others, fotlowing. Suffolk. AS by your high imperial majesty Alençon, Seven earls, twelve barons, twenty reverend bishops, To your most gracious hands, that are the substance |