ShakespeareThis text mounts a challenge to orthodox and oppositional critics who continue to regard Shakespearian drama as conservative in intent or effect. |
Contents
1 | 34 |
The politics of interpretation | 40 |
the subversive imagination | 70 |
Copyright | |
4 other sections not shown
Common terms and phrases
2nd edn Alternative Shakespeares audience authority Caliban Chapter comedy and romance conventional Coppélia Coppélia Kahn cultural Cymbeline Deconstruction difference disguised Dollimore and Sinfield Drakakis dramatisation Elizabethan English Essays Falstaff fantasies feminist feudal Fool gender Greenblatt Hal's Hamlet hath Hemel Hempstead Henry IV plays historicism historicist human Iago Ibid identity ideology imagination interpretation Jameson kind King Lear language literary literature lives lovers Macbeth Malcolm Evans Marxism meaning Merchant of Venice modern moral narrative Othello Oxford past perspective play's Political Shakespeare present Prince production Prospero protagonists radical reading realisation reality Renaissance role Romeo and Juliet scene scripted sexual Shake Shakespeare's drama Shakespeare's plays Shakespearean comedy Shylock social society speare's speech stage subversion Tempest Terry Eagleton textual theatre theatrical Theory thou Tillyard tion traditional tragic transformation turn Twelfth Night utopian values vision voice Winter's Tale York and London